The Bella VST plugin was developed to be a simple additive synth that’s optimized for bells sounds and non-sustained instruments. I find it easy to create all kinds of magical and dreamy atmospheres with it. Bella comes with 16 presets to get you started, but it’s fairly easy to modify the presets and get something new.
PlugIn parameters:
Bell Design:
Bells Type – “Pure” is a sinusoid bell, very clean and pure in sound. “Harmonic” is a triangular bell, so it has a richer – but somewhat buzzier – sound.
Bells Size – you can choose any one of six sizes. the higher the slider, the larger the bell.
Resonance – is the release rate of the sound. High values create very resonant bells, while low values create more muffled bells.
Metal – adds a non-harmonic, metalic character to the sound. it may cause heavy detuning but hey – that’s what makes it “belly”… Anyhow you can use the master tune slider in the master section to fix any detuning problem.
Detune – a massive detune option. Play with the slider to find a spot that’s “belly” in sound but still doesn’t sound completely out of tune.
Delay:
Send – sends the sound to the delay effect.
Time – the delay time.
Feedback – the ammount of feedback.
F/B Contour – This is a band-pass filter patched into the feedback loop. You can control two parameters of the filter:
Cutoff – the cutoff frequency of the filter.
Band Width – the width of the band pass filter. Lower values make a narrow band feedback filtering, while higher values create a wide band feedback filtering.
Master:
Tune – since Bella has a couple of detuning parameters (“Metal” and “Detune”), use this slider to re-tune your sound. It goes from -0.4166 (pure fourth down) to +0.4166 (pure fourth up). Use your ear or a tuner to set this parameter.
Useful tune values: 0.0833 – semi tone, 0.1666 – tone, 0.25 – minor third, 0.3333 – major third.
Vel. Sense – Velocity sensitivity. When off (full to the left) Bella will not respond to keyboard velocity.
Stereo – When off (LED is off) Bella will produce a mono sound. the higher the slider – the wider stereo image will be created. Note that very high stereo values might alter the sound, especially for “harmonic” bell types.
Push – this is a DiVerSe PusHer circuit. it is a saturator that will give more volume and depth to your sound – but might slightly reduce high frequencies, so use it wisely.
Volume – the master volume of the Bella synth.

 

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Bella 0.92 Crack Activation Key

Bella Product Key is a magnificent bell. You probably will not be satisfied until you try Bella Crack Mac at least once. This is an additive synthesizer optimized for bell sounds and non-sustained instruments.
Bella can create a wide variety of bell types. It is a monophonic synth, so you can play alone or use it in tandem with other synths (Two Monophonic Synth mode).
Bella has two LFOs that can create an extremely wide range of bell sounds. “System Wide” allows you to define a modulation map. “Bells” is a free-running LFO that cycles through the 16 bell types in sequence.
Bella also has a ModEnvelope LFO and an X-Mod Envelope that together form an LFO chain. You can control the rate with the LFOs, use the LFOs to control the rate of the ModEnvelope LFO, or just use the ModEnvelope LFO alone. In addition to the two LFOs, Bella has two Voice LFOs that can be freely modulated.
You can also use “Sync” to set the rate of either LFO or a voice LFO relative to another LFO. you can use this to modulate a locked voice or LFO, which can be used to modulate a key, gate a sound, or provide a clock pulse for synchronous triggering of external audio sources.
Bella has 16 bell types. Bell types 1,3 and 5 are the most commonly used (sine, fifth, and sawbell bell). You can generate sounds from a lower range to a very high range. Use the bell type parameter to move the range. you can even change the bells type to the other 16 bell types to get interesting and unusual bell sounds.
bell type options:
1 – Pure Sine Bell.
2 – Pure Harmonical Bell.
3 – Harmonical Bell.
4 – Pure 5th Bell.
5 – Harmonic Fifth Bell.
6 – Pure Saw Bell.
7 – Pure Triangular Bell.
8 – Harmonic Triangular Bell.
9 – Pure Octave Bell.
10 – Harmonic Octave Bell.
11 – Pure Second Bell.
12 – Harmonic Second Bell.
13 – Pure Third Bell.
14 – Harmonic Third Bell.
15 – Pure Fourth Bell.
16 – Harmonic Fourth Bell.
Bella has a common mode Input of Line,

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Bella is a complex sounding Synth. There are 8 sections of modulation (8 keys), each with one modulation source – a choice of 5 LFO’s and one Master LFO. The LFO’s are set to use different clocks and different rates, which means they will drive eachother. The Master LFO has one clock and the 5 LFO’s have a different clock rates.
By default, both Master LFO and all LFO’s will be synchronized so they will all contribute to the same modulation.
Each section has it’s own key – AKA the Key selector.
How it sounds:
Bella runs an assortment of LFO’s, each of which drives all of the modulation sources. Bella’s LFO 1 through LFO 5 are all synced so their values are modulated together. The LFO 6 is also synced but it’s values are mixed with LFO 1, 3 and 5 values. The LFO 7 also has the same arrangement but with different rates. Finally LFO 8 (the Master LFO) is not synced with the other LFO’s. Instead the Master LFO has one clock and all of the LFO’s have a different clock rate. At the moment, the Master LFO cannot control the LFO 6 or LFO 8.
Bella’s LFO’s and the 5 LFO’s that drive them, can be expressed with a plethora of control parameters. By using the parameter section in midi (CS1) and the parameters in notes section (CS2), you can get a detailed description of how the parameters behave.
General:
CF (Clock-Feedback) – controls the cutoff frequency of a bandpass filter that’s patched into the feedback loop.
CVR (Clock-Voltage-Ratio) – this controls the V/oct range of a sine wave LFO (1~255). By using smaller V/oct values, you can have a more oscillating LFO (think scalar LFO).
CD (Clock-Delay) – controls the delay time of the signal.
CLL (Clock-Level-LFO) – controls the level of a LFO relative to the master oscillator.
CVL (Clock-Vel-LFO) – controls the velocity sensitivity of a LFO relative to the master oscillator.
CR (Clock-Resonance) – controls the resonant decay time of a bell or buzzer.
COP (Clock
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Object Manager:
22 in total.
Preset:
Reset, Reboot, Restart, Save, Save As, Load
Options:
Blackout On: Disables the colored LED blinking when Bella is silent.
LED Select: Select an LED color.
LED Color: Colours the LED.
Shade: Enables / disables the cooler “sun”- effect.
Colour Display: Can choose between analog or colour display. Useful if you are playing live.
Bell Type: Bell Type – “Pure” is a sinusoid bell, very clean and pure in sound. “Harmonic” is a triangular bell, so it has a richer – but somewhat buzzier – sound.
Bells Size: Bell Size – you can choose any one of six sizes. the higher the slider, the larger the bell.
LFO 1 Rate: 1st LFO rate.
LFO 2 Rate: 2nd LFO rate.
LFO 2 Dispose: 2nd LFO dispose.
LFO 1 Dispose: 1st LFO dispose.
LFO 2 Range: LFOs range in a value range from -1 to 1. The higher the slider value, the bigger the range. A range of 0 will cut off the LFO.
LFO 1 Range: LFOs range in a value range from -1 to 1. The higher the slider value, the bigger the range. A range of 0 will cut off the LFO.
LFO 1 Dispose: LFOs dispose: “Hold” or “Free”.
LFO 1 Range: LFOs range in a value range from -1 to 1. The higher the slider value, the bigger the range. A range of 0 will cut off the LFO.
LFO 1 Dispose: LFOs dispose: “Hold” or “Free”.
LFO 1 Hold: “Hold” (allow 1st LFO to run in “Hold” mode).
LFO 1 Free: “Free” (stop LFO 1 from running).
LFO 2 Dispose: 2nd LFO dispose.
LFO 2 Range: LFOs range in a value range from -1 to 1. The higher the slider value, the bigger the range. A range of 0 will cut off the LFO.
LFO 2 Range: LFOs range in a value range from -1 to 1. The higher the slider value, the bigger the

What’s New in the?

Bell Type:
Pure (0) – a pure sinusoid bell (almost like the cliche “ding”). “Harmonic” (1) is a triangular bell, with a richer sound but less over-all volume.
Metal (2) – like Pure Bell Type, but with the addition of a non-harmonic metalic bell character.
Delay (3) – just a basic resonant delay line with no CV control
Reverb (4) – reverb settings
Metal Reverb (5) – metalic reverb settings
Delay Reverb (6) – reverb settings.
Feedback (7) – feedback settings
Bells Size (8) – bell size (0-8)
Resonance (9) – bell resonance (0-10)
Detune (10) – bell detune (0-40)
Detune Controls (11) – bells detune control (0-40)
Delay Controls (12) – delay time (0-100)
Delay Time (13) – the width of the delay time (0-100)
Vel. Sens (14) – velocity sensitivity of the bell (0-100)
Stereo (15) – stereo width settings
Master Volume (16) – master volume
Dim Lights (17) – when off (LED on) the master volume will not increase when the slider is turned up. When on (LED off) the master volume will not decrease when the slider is turned down.
Tempo (18) – you can change the pitch of the notes when the Bells Type is set to “Sync”. the higher the value, the more notes will be retuned.
Bell Velocity (19) – bell velocity (0-100)
Bell Repeat (20) – bell repeat rate (0-100)
Voice (21) – the number of voices and pitches the bell can sustain
Sustain (22) – the number of notes that can be sustained before repeating

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System Requirements For Bella:

Pre-requisites:
Supported Operating Systems:
MAC OS X 10.8.3
Windows XP SP3 / Vista SP2 / 7
Intel Macs
Macs:
Intel Macs only
Chrome:
For Intel Mac users:
No compatibility with Apple Thunderbolt displays.
Link Compatibility:
The Steam Link is fully compatible with the latest version of Steam for Mac.
Full Download Details:
The Steam Link is a simple, ultra-portable

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